Since we got back from Montreal, Sound of Contact has been quite busy. We rehearsed with drummer Ronen Gordon who is playing with us for the upcoming European tour with Spock's Beard and Beardfish. Ronen went back to LA where he lives and the four of us, Simon, myself, Matt and Wes moved on to shooting the first Sound of Contact music video (besides the video trailer that is). It's for a song called "Not Coming Down". Simon and I wrote the treatment and co-produced the video. I won't reveal too much about the song so early because we will be talking about the album and individual songs quite a bit in interviews. The fictitious main character in the story, played by Simon in the video, is going through some down and out times having difficulty coping with his rather unusual life and... well, I'll just leave it at that for now. Don't want to let the cat out of the bag! The music video tells the story like a mini movie and actually since "Dimensionaut" is a sci fi concept album we're planning to do a lot more... but of course I can't say too much too soon. I can say that it's freakin' exciting though! One of my other passions is screenwriting and all things film so this is a nice taste of that side for me.
So let me tell you a bit about the 4 days of shooting. We had been so busy rehearsing for the tour and doing the first gig in Montreal that we found ourselves being asked by the label "When will you have the music video ready?" Time to get things into high gear. Fortunately I had done a little scoring for a talented director/DP named Tim Glover who does excellent work. I knew I could pull a favor from him so he came down from Atlanta to shoot this with us. We had some great contributions from friends like Chip Walters and Hal Feldman who came through big time on so many clutch things. Hal, an old friend from college, happens to be in real estate down here in Miami and was able to find us a place to shoot the band in a field near the Homestead airport (South Miami area). Chip's friend Michelle who was hired as our make up artist was recruited as the main character's love interest in the videos. She's a beautiful person inside and out. A total pleasure to work with and be around... and it turns out she's quite talented as an actress to boot! Talk about luck! But it gets even better. We had the day booked for the shoot with the band playing in the field and we really wanted to add string players to it if we could. I asked Wells, the cellist who played on the album, if he wanted to do it but he was too busy. So, I started asking around, calling various people I've worked with or others have worked with until finally I found them! We wanted a quartet but were willing to settle on just one or two players if that's all we could get on such short notice. But, we ended up getting a Quintet! 5 players which included 2 violinists, 2 violists and 1 cellist. Now we're talking! The shoot was great. We were playing the song while airplanes were taking off. It was a little insane but what a great memory for all... and the shots Tim got with the crane were fantastic!
Then we made our way over to the train tracks and this was a more difficult shoot. We had to be quick and we were. But, what blew our minds is that we were hoping to be able to shoot a train coming by or we thought we'd have to fake it in post. By chance just as we finished a train was coming and Tim shot it going by. It was so incredibly loud being that close to it and the feeling we all had was priceless. The synchronicity of it was empowering. When things flow and you feel the Universe is on your side there's nothing better. Take it when it comes!